Lines of Attack
For Success in Sparring and Self-Defense, It Pays to Think Outside the Box!
by S.D. Seong
“Shapes are important in the martial arts,” Avi Nardia says somewhat matter-of-factly. “Karate, fencing and Hsing-I, for example, are very linear arts. Wing Chun Kung Fu is also linear, as you can see when a practitioner tries to take the centerline of his opponent’s body.”
The Israeli martial arts expert mentions the predominantly linear nature of most styles to point out a self-imposed limitation in the average martial artist’s fighting mindset. “Whether they’re sparring in the dojo or defending themselves on the street, people tend to think only of moving forward to attack and backward to avoid an attack,” he says. “They don’t immediately think about moving from side to side.
“We can move from side to side in any kind of fight—and we must move that way in self-defense.”
“If I’m fighting you, I’ll always take a 45-degree angle to attack you,” says Nardia, who recently relocated to Israel after spending several years teaching in Rochester, New York. “The Japanese named it Tai Sabaki. Once you start using Tai Sabaki, you’ll find it much easier to defeat your opponent.”
In fact, using angles of attack can make it so much easier to get the upper hand that organizers of many martial arts competitions long ago decided to remove this X-factor from their events. “They keep things linear to make it harder for both sides,” Nardia says. “That’s why in fencing tournaments, they use a very narrow strip for their matches. It forces the competitors to get really good with their timing so they can ‘steal the linear’ of their opponent.
“In Kumite, it’s the same thing. Being forced to attack always along the linear path makes you develop your speed. That’s fine if you have the ability to become faster than all your opponents, but if you’re a slower fighter, you must master angles. That will help you defeat fighters who rely only on speed.”
“In Kapap, we divide training into sections,” Nardia says. “In addition to linear training, we do circle training and triangle training.”
When he and his students engage in linear training, it’s with the understanding that it’s basically force against force and speed against speed. “When you want to take the linear, you maneuver forward or backward with your legs,” he says. “Or you can manipulate your opponent’s hands to the side to open a path to his centerline—like they do in Wing Chun. However, if you use your legs, it can give you more opportunities.”
Studying a linear art like fencing or Kendo offers numerous benefits, he says. “Perhaps most important, it makes you fast. When I do boxing, people say my hands are fast—it’s because of all the Kendo I’ve done. It doesn’t matter if you’re talking about a jab with your fist or a jab with a sword — a fast move is a fast move.”
When Nardia and his students partake in circle training, it’s always with the understanding that they’re sacrificing certain advantages. “Linear attacks are the fastest and give you the longest reach, which means that when you go in a circle, you often lose time and the ability to cover distance,” he says. “However, you gain the ability to attack and retreat off-angle, which your opponent probably isn’t expecting. That gives you the element of surprise — it’s a give and take.”
Another benefit of using circle techniques, he says, is increased power. “We’ve analyzed the types of attacks used in arts like Pa Kua and Hapkido, and their spinning kicks and circular hand strikes are incredible with respect to the generation of force.”
The other option when it comes to lines of attack is the triangle. “I learned this from the Machado family,” Nardia says. “Training in Brazilian Jiu-Jitsu with John and his brothers really changed my life and the way I think about combat.”
Among the triangle-based lessons Nardia picked up was the ubiquitous triangle choke. It takes advantage of the structural integrity of the triangle by positioning one body part on each side of the neck to squeeze the carotid arteries while the third body part prevents the opponent from retreating. The body triangle uses the same approach to apply pressure on the torso.
The inherent stability of the triangle also bolsters balance, Nardia says. Picture a grappler on his knees. Because he essentially has only two points of contact, he can be off-balanced with a push or a pull. If said grappler is in a position that has both knees on the ground—in addition to his head, he’s much more stable. In ground fighting, this basic lesson in balance has many applications, Nardia says.
The main message Nardia hopes to get across is that success often hinges on thinking outside the box. If you’re used to fighting in a straight line, occasionally go circular. If you always spar with spin kicks, occasionally insert a linear leg technique. If you’re used to applying direct force while grappling, occasionally invoke the triangle. It’s a geometry lesson that can benefit all martial artists.
About the author: S.D. Seong is a freelance writer based in Southern California. For more information about Avi Nardia and Kapap, visit avinardia.com.
One of the joys of sitting down with a martial artist who’s not a native English speaker is listening as he or she extols bits of wisdom and philosophy in ways that might be described as quaint. The following came from the mouth of Avi Nardia during the interview:
• In martial arts, people always say, “Train as you fight.” You cannot train as you fight. If you did, you’d have to kill your opponent. Training is training, and fighting is fighting. Once you start to mix them, you don’t understand the art of coaching.
• People also say you do not want to fight on the ground. That’s nonsense. You cannot choose where you fight. If you could, you would choose not to fight at all.
• Teaching techniques like the front kick is more important than teaching techniques like the flying armbar. Even today, if I have to teach the military, I don’t see myself doing a flying armbar. You can live a very good life without it.
• A lot of people have a fear of losing. I tell my students: “Once you go to a competition, you’ve already won. You’re not making excuses anymore.”
• Martial arts don’t come from God. They’re not a religion. They’re something we can change.
• After you learn technique, you have to drill. You get to the position and back. It builds muscle memory. If you have to think about what to do in a fight, you’ve already lost. Sometimes people ask, “What would you do against this hold?” I say: “I don’t know. You’d have to put it on me, and then I’d know. I have no idea right now whether the best action would be a punch or kick or throw.”
• Martial arts is more than street fighting. It’s about health and well-being and happiness and relationships — it brings it all together for a better life.
Essential Reading and Watching
For more from Avi Nardia, check out Kapap Combat Concepts: Martial Arts of the Israeli Special Forces. The 120-page full-color book outlines his fighting philosophy and techniques. If you’d rather watch than read, consider the Kapap Combat Concepts DVD set. Volume 1 is titled Principles and Conditioning, Volume 2 is Holds and Third-Party Protection, Volume 3 is Weapons Skills and Defenses and Volume 4 is Brazilian Jiu-Jitsu Applications. blackbeltmag.com
Originally Published in Black Belt Magazine, © Copyright 2012